Alternative Chinese Opera in the Age of Globalization: by Daphne P. Lei

By Daphne P. Lei

Bringing the examine of chinese language theatre into the 21st-century, Lei discusses ways that conventional paintings can live to tell the tale and thrive within the age of modernization and globalization. construction on her earlier paintings, this new booklet makes a speciality of a number of sorts of chinese language "opera" in destinations round the Pacific Rim, together with Hong Kong, Taiwan and California.

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Extra info for Alternative Chinese Opera in the Age of Globalization: Performing Zero (Studies in International Performance)

Sample text

On the personal level, it imagines an identity that transcends national borders but appeals nevertheless to nostalgia for a lost “Chinese nation” that exists in the past or the imagined future, but nowhere in the present. ” Finally, alternative Chinese opera represents a survival strategy for desperate artists, as the opera business in peripheries largely operates in the market economy rather than with state sponsorship. These tactics supply new oxygen for the declining tradition; the endangered species survives in a niche fed by transnational confusion.

Many young people in Taiwan today would consider the question absurd: the dated art form is usually associated with a minority group, the old Mainlanders – retired soldiers and military village dwellers – who are dying out and no longer enjoy any class or political privileges. Recent changes in the political climate also make any traditional arts associated with mainland China misfits. New and innovative jingju, on the other hand, is a different story. This is the form the younger generation might consider fashionable, artistic, intelligent, even cool.

9 Another large wave of immigration came in the nineteenth century. The majority of immigrants came from the southern Fujian region, a smaller number from the eastern Guangdong region. The Fujian immigrants were Hoklo speakers, while the Guandong immigrants were Hakkas and spoke the Hakka language. After China’s defeat in the Sino-Japanese War in 1895, Taiwan became a Japanese colony until 1945, and during this period Japanese language, culture, and aesthetics helped construct Taiwan’s local value systems.

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